Self-taught, I worked a lot around the large-format oil portrait in a hyperrealist style. For a few years, I have reoriented my work towards illustration; ink, gouache, felt-tip pens, acrylic. When I first started, I worked within a figurative Prisma.
Today, I am more focus to work on abstract series. This new series, with its raw opacity or polished transparency, evokes an aesthetic reorganization of an abandoned mineral nature.