I construct my paintings and drawings by using a delicate balance of choice and process. In response to personal narrative and internal dialogue, to the push and pull of the compositions internal gravity, and to the medium of the paint or drawing materials, I project images and forms onto the surface.
As I compose, I weave shapes through the picture plane, the gestures I record can read alternatively as flat or as dimensional and sculptural. I favor nature-based forms and rhythms and I am drawn to shapes that tangle, overlap, sit, lean and lay.
As I work through the multiple stages and processes of each piece, by weighing ambiguity with representation, by adding and subtracting, abstracting and transforming, I gradually arrive at the final composition.